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Laser Engraving on Metal vs Wood vs Acrylic: Settings and File Requirements

Wood burns, acrylic vaporizes, and metal oxidizes/ablates depending on laser type. Those differences change everything: power/speed, DPI, and file preparation.

How laser energy interacts with materials

Laser engraving is controlled material removal or modification. The same file and settings will not behave the same across materials.

Wavelength matters: CO2 is absorbed by wood/acrylic but reflects off bare metal; fiber is absorbed by metals.

Heat dissipation and vaporization/burn temperature determine how much energy you need and how forgiving a material is.

Wood: settings and file requirements

Wood is forgiving and provides good contrast, but grain and moisture change results.

For detail: use 250–500 DPI for photos, 150–300 DPI for text/graphics. Strong grain can hide midtones.

Wood often engraves better with stronger contrast and dithering rather than smooth grayscale.

  • CO2 starting points (40–60W): light 15–25% @ 300–500 mm/s; standard 25–40% @ 200–400 mm/s
  • Prefer fine-grained woods (maple/cherry/birch) for detail
  • Masking tape can reduce smoke staining and visual unevenness

Acrylic: settings and file requirements

Acrylic can hold excellent photographic detail because it engraves cleanly without char.

Use cast acrylic for engraving (frosted white). Extruded acrylic often engraves with weak contrast.

Acrylic supports smooth grayscale gradients well; dithering is optional and stylistic.

  • CO2 starting points (cast): light 10–20% @ 400–600 mm/s; standard 25–40% @ 300–500 mm/s
  • DPI: 300–600 for photos; 500–600 for small high-detail engravings
  • For backlit clear acrylic, invert images and test (counterintuitive)

Metal: settings and file requirements

Metal engraving depends on laser type. CO2 typically marks coated metals or uses marking compounds; fiber lasers can mark bare metal directly.

Metal has a limited tonal range. High contrast and dithering usually produce the most consistent results.

Vector lines often need multiple passes at lower power for better control and less heat distortion.

  • CO2 + marking spray: often 80–100% power @ 50–150 mm/s; 300–500 DPI
  • Fiber: anneal/oxidize vs ablate have very different parameter ranges—test per alloy
  • Clean the surface (oil/oxide) before marking for consistency

Cross-material file prep checklist

  • Start from a high-quality master (acrylic-level detail) and derive wood/metal versions
  • Wood: increase contrast, compress midtones, consider dithering
  • Acrylic: preserve tonal range; use higher DPI when it matters
  • Metal: maximize contrast, dither, remove subtle textures
  • Save separate exports per material (e.g. design_wood, design_acrylic, design_metal)

Testing and documentation workflow

  1. 1

    Run a power x speed matrix

    Engrave a small grid with varying power and speed. Label it and keep it as a settings reference per material batch.

  2. 2

    Test the full tonal range

    Include highlights, midtones, shadows, small text, and fine lines so you see failure modes before production.

  3. 3

    Record what matters

    Material type/thickness/finish, DPI, passes, file prep (contrast/dither), masking, and environmental notes if relevant.

Related guides

How to Prepare Photos for Laser Engraving

Photo prep across materials: resolution, contrast, dithering vs halftone, and a repeatable test workflow.

SVG vs DXF: Which Vector Format Should You Use?

Vectors vs CAD exchange formats—useful when your engraving workflow involves CAM/CNC or CAD handoffs.

Want more predictable engraving across materials?

Use material-specific file versions and a repeatable test matrix workflow before production runs.

How to Prepare Photos for Laser Engraving

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